Brownswood Recordings proudly announce a new project bringing the best of a new generation of Cuban Musicians together to create an incredible album of modern Cuban Urban music.
World renowned globetrotting DJ, broadcaster and tastemaker, Gilles Peterson teamed up with the award winning Cuban jazz pianist, Roberto Fonseca, to find the very best up and coming musical talent in Havana. 12 months in the making it represents the biggest collection of contemporary Cuban musicians in a single musical initiative since the highly acclaimed launch of Buena Vista Social Club in 1997.
Featuring the work of over 20 musicians and artists recorded across 28 tracks, the double CD album is a celebration of Cuba’s freshest musical talent from latin, afro jazz and fusion to hip hop, funk, reggaeton and R&B. The album includes a collection of new material written and recorded in Havana by undiscovered local street and urban musicians such as vocalist Danay (described by Gilles Peterson as “Cuba’s Jill Scott”) and Doble Filo as well as international award winning artists such as rapper Kumar and pianist Roberto Fonseca. Fans of Cuban music will also recognise a number of traditional Cuban classics such as Chekere Son, which have been carefully re-recorded by Gilles Peterson.
The album was recorded in the world famous Egrem studios in Havana, where all the major figures of the Cuban music scene have recorded including Beny Moré, Arsenio Rodriguez and Buena Vista Social Club. It is the latest in a series of cultural projects from Havana-Cultura, which has been designed to give artists in Havana a global voice via the website www.havana-cultura.com.
As well as videos of many of the artists involved in the album, including the legendary pianist Roberto Fonseca, the website also showcases wider artistic talent including dancers, writers and visual artists. The launch of the album sees celebrated Cuban artist Alexandre Arrechea commissioned via the website to develop the artwork for the album’s cover. The resulting design reflects the roots of the artist, which can be found in the scrutiny of local Havana power structures and architecture.
The album will be available worldwide from 26th October on Brownswood Recordings. It is a double album consisting of one CD of brand new recordings produced by Gilles Peterson jointly with Roberto Fonseca and Vince Vella and the second CD a compilation of Gilles’s favourite current and recent Cuban music.
The Havana Cultura Band
Roberto Fonseca: A giant of the global jazz community, Roberto’s reputation belies his years. Born in 1975 in Havana, he has shared the stage with Cuban legends such as Rubén González, Ibrahim Ferrer and Omara Portuondo, and toured the world alongside the likes of Cachaíto López, Guajiro Mirabal and Manuel Galbán. Integrating influences from Afro-Cuban music, jazz, classical and traditional Cuban music, he plays the piano with such awe-inspiring sensitivity to the melody and rhythmic forces that marry the musical cultures of America, Brazil and Cuba.
Yaroldy Abreu: Simply one of the finest and virtuoso percussionist in the world, the heartbeat of Irakere and the Chucho Valdes quartet. Yaroldy is truly pushing the boundaries of percussion, He knows every trick in the book and some that are probably not.
Ramses Rodriguez: Incredible drummer! Swings and blends cuban and jazz rhythms like no other, always evolving and inventing new tricks. He played with Chucho Valdes’ quartet for several years before joining Roberto Fonseca’s band
Javier Zalba: Old skool wizard sax and flute player. Ex Irakere, he is one of the founders of Temperamento, the first Roberto Fonseca band.
Omar Gonzalez: one of the best and most versatile bass player in Cuba, Omar has played with the biggest names in Cuban music before joining Roberto’s band.
Yelfris Valdes: amazing young trumpet player, he is part of the legendary Sierra Maestra band, this player a truly distinctive beautiful sound.
Vince Vella: DJ, producer and percussionist Vince Vella blends a deep knowledge and understanding of Afro-Cuban rhythms with many other different styles. He received guidance from the late Tata Guines (mentor to the late Anga Diaz), 4 Hero, Changuito, and Yaroldi, among many others.